Every time I hear this, it still takes my breath away and makes me miss him so much

The rehearsal of Elvis’ Gospel Medley for the 1968 Comeback Special offers a rare and intimate glimpse into one of the most iconic moments of his career. Comprising three gospel classics— “Sometimes I Feel Like a Motherless Child,” “Where Could I Go But to the Lord,” and “Up Above My Head”—this medley showcases Elvis Presley at his raw, unfiltered best.

From the outset, Elvis’ vocals resonate with a raw power that immediately captivates. Beginning with “Sometimes I Feel Like a Motherless Child,” his voice carries a profound emotional weight, resonating with a deep sense of longing and soulfulness. This rendition sets the tone for what unfolds next, as Elvis and his talented backing singers and band delve into “Where Could I Go But to the Lord.” Here, Elvis’s vocal prowess reaches new heights, effortlessly soaring above the harmonies and instrumentation. His delivery is not just technically impressive but also deeply heartfelt, conveying a genuine connection to the song’s themes of faith and solace.

The medley culminates in “Up Above My Head,” a spirited gospel anthem that allows Elvis to showcase his playful charisma. His rendition of the uplifting chorus—”Up above my head, I hear music in the air”—brims with infectious energy and joy, highlighting his ability to seamlessly transition between soulful introspection and jubilant celebration within a single performance.

Elvis Presley’s rehearsal for the 1968 Comeback Special is more than just a musical event; it’s a testament to his profound talent and enduring influence. His ability to infuse gospel music with such authenticity and passion speaks to his roots and personal connection to this genre. Whether you’re drawn to Elvis as an icon of rock ‘n’ roll, a pioneer of gospel-infused music, or simply a lover of powerful performances, this extended version of the medley offers a compelling insight into his artistic depth and musical legacy.